I ran like an animal
today in track. I knew I could all along. I don’t want to be a great athlete, I
want to be an animal. I don’t care about writing for itself either. I do it for
something else: To dig a deep hole so I can sit and not run when the wild
animals I call up come to me. I know what to do with them. I note them on the
page.
-- Natalie Goldberg, Wild Mind: Living the Writer’s Life
-- Natalie Goldberg, Wild Mind: Living the Writer’s Life
And You?
Here's a simple yoga sequence and writing practice to better acquaint you with your own animals featuring poses with animal names including those found in water (symbolic of emotion) earth (symbolic of grounding) and air (symbolic of inspiration). The proper alignment and execution of the asanas themselves can be found at www.yogajournal.com or you can practice them in a class at your local yoga studio. Follow the asana practice with the writing excursion and if you've never written a fable, now's your chance. The combined energy of this yoga+writing practice has amazing and memorable benefits.
The Yoga Sequence
Water (emotions)
Crocodile pose– adaptability
Dolphin pose– divine protection
Turtle
pose– perseverance
Earth (grounding)
Dog pose– guardian companion
Elephant pose– good fortune
Lion pose– courage
Tiger pose– power
Air (inspiration)
Eagle pose– perception
Owl pose– wisdom
Butterfly pose– soul
The Writing Practice
Aesop’s Fables is a collection of tales by the Greek storyteller Aesop, a slave in ancient Greece. A keen observer of both animals and people, he portrayed most of the characters in his stories as animals, some with human characteristics personified with speech and emotions, but most of his characters retain their animal qualities: tortoises are slow, hares are quick, tigers eat birds, lions are regal and so on. Write a fable about yourself as an animal endowed with human qualities who has an epiphany of some kind. The hero/heroine discovers something about values, purpose or meaning illustrating a lesson (a "moral"), which may at the end be expressed explicitly in a pithy maxim..."and so the moral to this story is...."
1.
2 minutes. Look over the list of animal yoga postures. Choose one that
resonates with you, or maybe just a part of you that is unfamiliar but appealing.
2. 5 minutes. List characteristics/qualities of that
animal, positive and negative and then imagine the animal as a part of you and your identity as a
writer. Choose a moral or lesson that you want to illustrate, then introduce the animal by describing it (and any other animals in your fable,poem/song).
Based on their personality traits, how are they likely to act? Choose the time and place of the story and describe a setting.
3. 5 minutes. Think of a plot: What's the major problem or conflict is and who learns the moral/ lesson? How? Imagine some punchy dialogue. What's the surprise or unexpected element in the story? How do the characters solve the problem and learn the moral/lesson?
3. 5 minutes. Think of a plot: What's the major problem or conflict is and who learns the moral/ lesson? How? Imagine some punchy dialogue. What's the surprise or unexpected element in the story? How do the characters solve the problem and learn the moral/lesson?
4. 10 minutes.
Now write your fable (keep it short, no more than one paragraph) with your chosen animal as protagonist. Base
your piece on an experience you’ve had personally or your
imagination to create something completely fictional. Remember the idea is to portray the protagonist
as displaying characteristics that will bring discovery and possibly even illumination through solving a thorny moral issue. Sum up your piece with “the moral to
this story is” or with a pithy maxim a la and so he/she realized that…(” the early bird
catches the worm; there’s no place like home; etc.)
5.
Share this story with someone, dead or alive! If the idea of reading your story aloud to someone not physically present seems odd to you then I invite you to free yourself of the chains on your imagination. Try it. The point here is that a listening partner doesn't respond or critique
but is brought in merely to bear witness to your arrival at wisdom’s edge.
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