Wednesday, March 22, 2017

A Year in Sedona: At Wisdom's Edge



Chapter 11    
             At Wisdom's Edge     



Arriving At Wisdom's Edge


For all that has been, Thank you.
 For all that is to come, Yes! 
                      --Dag Hammarskjold, Markings
     

The truest moment of creativity is always the present moment, where gratitude and expectation live side by side. Our first year in Sedona had been spent learning to open to this present moment. Breathe. Wait. Be patient. We'd arrived here hoping to rekindle a relationship with our muse and had learned to nurture wisdom and creativity in places where the muse makes its home. One of those places was the Amitabha Stupa and Peace Park where we'd grown comfortable with meditating in nature. Meditation practice was something we'd held on to from our long ago hippie days back in the sixties. 

Transcendental Meditation was big back then, the thing everyone did because it was the sixties and meditation was the way to peace and love. Louis had his own spiritual approach but I liked TM because I got to have a personal mantra, which felt like a secret password for admission to an exclusive club. When later I explored world religious traditions and studied the writings of spiritual luminaries, I saw meditation wasn't exclusive at all and had always been a practice available for anyone who wanted to learn to sit, surrender and breathe.

  Our house in Sedona was not far from the Stupa and we often visited. The people in charge of things had kept the place rustic but nice enough so that everyone felt safe and comfortable participating in ongoing activities. There were  prayer flag ceremonies, robust trail hikes, lessons on how to meditate that took place in a small viewing stand with a plastic roof and plastic chairs to sit in and admire the stupendous scenery. What we liked best was the full moon group meditation. Every month, unless it snowed, we climbed the short, rocky trail up to the Stupa, grateful to join other meditators who'd come to surrender to the present moment. 

            The monthly sit drew locals and travelers alike, some of whom compared the Stupa to healing sites that draw visitors and seekers from all over the world, places like Santuario de Chimayo in Northern New Mexico or the shrine at Lourdes.  In Sedona, which is an international dark sky community, the blanket of stars spread overhead was unfailingly stunning as we made our way up the trail to the meditation space. Even if there was a bit of cloud cover lending a soft and fuzzy mystery,  the rising moon was powerful enough to cast a golden glow on all of us as we sat for an hour with Ani Miranda Coates, a Buddhist nun who was one of the Stupa's caretakers.  


         During those evenings of meditation the solace of approaching twilight  took hold, deepening inner stillness as gentle breezes caressed our faces. The chorus of evening sounds swelled with a magnificent symphony of crickets calling for calm, one lone owl hooting his hypnotic refrain. Fragrant  juniper, pine, cypress and sage whispered their old, sweet wisdom as now barely discernible rocks took on oddly familiar shapes in the growing shadows. Look, is that a monk? A meditator maybe. Could be an old wise woman. With every sense engaged we imagined ourselves surrounded by the beneficent spirits  who lived there, guiding us on the path to remaining in the present moment. 


When the sit was over, it was as if we'd been in a spiritual shower bath, alive, clean, blessed by release and communion with other souls. We'd discovered that wisdom's edge is not one place, a line to be crossed, a prize to grasp. Rather, it was illusive and magical, inviting us to go further with every step, to dig deeper with every breath. We found that the muse lives inside us all, and we've learned not to set limits to our creativity. May the muse be with you.


                                                                     A Prayer To Yes!       

Deliver us we pray, from the company of sad and contentious spirits.  We're looking for happy souls now, yes we are. Lead us, push us, pull us to those hallowed places of mystery and beauty where we can find the things that really matter. Take us for a walk at dusk among the strong, stark and often strangely seductive native plants and birds of the high desert. Thank you for the things that we've found that have enchanted and inspired. 

Remind us that the way of calm, peace and enjoyment isn't something to hold on to only for ourselves alone. Let us practice the sharing that is the dessert of life. With family. Cats. Grocery store clerks. Drivers on the road. Fellow writers, artists, musicians and yogis all over the world. Sweet seekers and friends who've found the truth of it all. 

And at the end of the day tell us again what we need to remember: That residing in peace can be learned,  like any skill, with a little  instruction and some disciplined practice. Surrender, sit, breathing in, breathing out, breathing up, breathing down. Honoring the holy. That we can always find the place where the special favors, gifts and shining mercies reside. Right here, right now and for what is yet to come, Yes!


    
 Meeting Your Muse: 
Breathe Up, Breathe Down

              When I first began learning to meditate I was aware of a cacophony of inner chatter, fragments of the past floating up in full and living color and sound. Uncomfortable at times, like listening to an old movie with a relentless audio track featuring an onrushing cavalcade of frenzied characters chattering madly away. In time I became acquainted with a kind and safe presence that was always there, always available. I learned to see my life as part of something much greater than the previous perception of who and what I'd thought I was. Healing began as old memories and ghosts were released.


                 There are numerous approaches to meditation but I especially like  Buddhist meditation teacher Lewis Richmond's suggestions. His gentle book, Aging as a Spiritual Practice, is a friendly and very useful guide on the road to wisdom's edge showing how to get our bearings and map new territory in the second half of life. He says we have two ways to experience the passage of time: horizontal or vertical.


         Richmond says Horizontal time is a linear stretch with mileposts and road signs providing information about stops and starts and comings and goings as we chug along from childhood to old age. Vertical time, on the other hand, encompasses the present moment only, this body, this breath, right now. Vertical time is always just here, he says, and unlike horizontal time, it doesn't have room for either old baggage and sad memories or imaginary, distant futures, like beads on a string as they roll into view one after another. Vertical time is the string itself. His instructions:


                  Start by thinking of your life and its major events as a horizontal line. Your past stretches to the left of wherever you are on that line; your future stretches to the right. The events that stretch into the past are clear and unchangeable; the future is blurred: you don’t really know what events will eventually occupy that line or how long the line will eventually be. Think of this as horizontal time. Now switch your focus from horizontal time to vertical time. 

       Then breathe in and imagine the breath moving upwards in a column from where you're sitting. As you breathe out, visualize the breath sinking down into the very same place. You'll notice that all the movement is vertical and doesn't move around in space, traveling from a certain past to an uncertain future. It's just always right where it started, resting solidly in the same spot, like a house resting on a foundation. In other words, it's the timeless conviction of the present moment.







Monday, March 13, 2017

A Year In Sedona: Dwelling In Possibility

 Chapter 12
Dwelling In Possibility

 Red Oval, Wassily Kandinsky





                                I dwell in Possibility  --  A fairer House than Prose
More numerous of Windows -- Superior for Doors 
Of Chambers as the Cedars --  Impregnable of eye
And for an everlasting Roof --   The Gambrels of the Sky 
Of Visitors the fairest   For Occupation -- This 
The spreading wide my narrow Hands To gather Paradise
                                              -- Emily Dickinson


           "Thirty five years!" Louis exclaimed.  I was happy my sweet but sometimes preoccupied husband had finally this year remembered our wedding anniversary. Our friends Libby and John Oakes joined us for a lunch celebration at L'Auberge de Sedona, a charming old boutique hotel and restaurant with a rustic flagstone patio overlooking the banks of Oak Creek. John and Libby had become good friends, two of the many amiable souls and free spirits who had offered us a warm and hospitable welcome at wisdom's edge.

      They'd come to Sedona from Kentucky, John was the artist and Libby, the prizewinning poet. Two wise and witty fellow travelers, they were very good storytellers with tales of previous lives as university professors, world travelers and spiritual seekers. Sharing our offbeat sense of humor, these two born and bred originals could be counted on for stimulating conversation about soul, spirit and art. They also knew how to converse with civility and discretion about the remarkable changes in the 21st century political landscape, how to research and find reliable alternative wellness options and how to recall rollicking memories of our hippie days during the Sixties. Like many of us, they'd looked around a good bit then decided upon retirement to come to Sedona.


     First time I met Libby she wore a necklace, the pendant engraved with the iconic quote from favorite poet, Emily Dickinson: "I dwell in possibilities." It might just as well have been a sign around her neck proclaiming 'kindred spirit on the path to wisdom's edge.' Libby had a flowing poetic aura and a soft spoken charm which worked well for her role as a veritable dervish of creative pursuit within the local arts community. A kind of muse-in-residence, she gave readings, wrote books, supported non-profits and was the creator of SiteWrite, drawing on her experience both as writer and literature professor to pull together a group of local writers who met monthly to write and read at various sites of artistic interest around town. Louis and I were flattered she'd asked us to join that merry band of bards and happy to find a new tribe of writers to nosh with. 

       Once the group met at the wonderful weaving studio of local fiber artist Wendy Bialek. Louis and I had met and become friends with Wendy and her husband Rabbi Bernie Kling when Louis, a now-married Catholic priest, and Bernie, an independent rabbi, were co-officiants at an interfaith wedding. Wendy's studio was a marvel to visit, generating tremendous creative energy with potentially fabulous literary metaphors inspired by the displays of woop and warf, yards of yarn, fabric and felt. It was a remarkable way station the road to wisdom's edge. 

   As I became better acquainted with Libby, I realized the story of her journey and arrival at wisdom's edge was one worth sharing with others. A long life of learning, teaching, traveling and healing had produced a legacy of measured and leavened wisdom that might well benefit others on the way to meet their muse. I wanted to know if she'd felt that sense of anticipatory promise that seemed to nudge so many who'd come here. I wondered what she might say to aspiring writers and artists who had arrived in hopes of meeting their muse anew.

           I asked her to share a bit  about her life here and her own muse and gave her The Wisdom's Edge Questionnaire. She willingly obliged and her delightfully crafted responses made inspired reading indeed. One question got a poem all of its own in answer; another with a snippet from her journal. Anecdotes, memories and a little soul searching, all were heartfelt and poetic. I was delighted but not surprised. She was, after all, a muse herself.

 What is your life about now,“at wisdom's edge”?
        Looking back through old notebooks -- five years ago I asked my soul what it wanted, and here is the answer: solitude, work, fulfillment, delivery into the world, freedom, acceptance, company, fluidity, enhancement, enchantment, renewal, completion, expression, to see itself in the world manifest, to be who it is, to not hide, to be more than 1/10 of who I am, to partake of my creativity, to connect with the All, to be fully whole and present in me, to infuse the physical
world.  
        
 What do I want to do now?
               When I retired from teaching, I knew I wanted to live, grow, and contribute in a new way for the new stage. I am still finding out what this entails!

 Where do I want to end up? 

This poem says it...

Poppies on the Porch

To be no more conscious
than the poppies
in the vase

To be dandelion fluff
borne by wind
to barren ground, gravel

To be river swallowed
by sea, and then salt
in a stranger's shaker

To be black rain
at midnight
on a temple roof
long abandoned

To throw out the poppies
and the water they are in


Who's coming with me the rest of the way?
      My tribe, whoever and wherever they may be, and it doesn't matter if we've met or not, or if they're alive now or not, or even if they've never been in human form.


What's been accomplished?
       Some of what I came to this plane to do, not all, but enough, I think. I've done enough to know that the outward journey has to be a reflection of, no, has to be intertwined, with the inner one. We're born with a kind of GPS system that, if we turn it on (and this is not always easy, as it's hidden among the other knobs, bells, and whistles), it will keep us on track. The track, in my experience, is never what we thought it was.

What's left to do?
        To keep enjoying the material world and opening to the spiritual one, while integrating the material self and the spiritual self, so that they are one.


How do I meet my muse?
       Oh, it finds me! I just have to open the door! It doesn't understand money, ego, even someone liking what I write. It just understands “doing,” maybe not even that, as it is not of this world.

What am I doing to honor the gifts from the muse now?
       I know she/he is always with me. I honor her/him by trying never to say something that doesn't resonate with that place where he/she lives.


What might be my creative legacy?
         Some time ago a psychic told me that there were hundreds, even thousands, of people I had helped. Most of them I don't know, she said, as it had radiated out from those I did. She didn't know I had been a university professor. She said that “I was doing it” – what I came here to do. My creative legacy is people's lives; it doesn't matter if they create “things” or not.  My personal legacy is that I have recorded a traveler's journal on the fly!
I don't think it ever ends, actually, we just segue from one life to another, not all on this plane.

                               Meeting Your Muse: The Wisdom's Edge Questionnaire 
         
           Arriving at wisdom's edge we consider our accumulated wisdom and summon the courage to compose the stories of our own transformations, not only for ourselves but also for the kindred souls -- children, grandchildren and others -- who will follow. As you embark on your journey to meet the muse, I offer a meeting with the muse, The Wisdom's Age Questionniare.

1. What is my life about now?
2. What do I want to do that I haven't done yet?
3. Where do I want to end up?
4. Who's coming with me the rest of the way?
5. What's been accomplished?
6.What's left to do?
7. How do I now meet my muse?
8. What am I doing to honor the gifts from the muse?
9. What might be my creative legacy?